Manuel Rodenas Lopez – Architectural Graphics (2 Volume set)

Описание

Analysis and Geographical Representation of Cilento’s Monastic Architecture
1 Introduction
2 Global Information System: Case of Study the Cilento
2.1 Historical Analysis
2.2 From Model to Geometric Analysis
3 Conclusions and Future Developments
References
Analysis of the Critical Issues Occurring in the Procedures of Image-Based Acquisition of Cultural Heritage
1 The Importance of the Reality-Based 3D Model for Cultural Heritage
2 Methodological Experiences for the Survey of Bell Towers
3 The Objectives of the Research
4 Case Studies: Comparison of Acquisition Procedures
5 Conclusion
References
Architectural Survey for Analysis and Conservation of Fortifications of Belver De Los Montes (Zamora)
1 Introduction
1.1 General Context
1.2 Case Study
1.3 Objectives
2 Research
2.1 Organisation and Methodology
2.2 Photogrammetric Models Versus Topographic Data
2.3 Results Management
3 Conclusions
References
Connections Between the Architectural Drawings of Miralles and Mackintosh. From Ichnographia to Scaenographia
1 Introduction
2 Methodology
3 Perceptual Inception
4 Systematic Transition
5 Scottish Parliament
6 Conclusions
References
Detailed Knowledge of Territory: Exploration and Army
1 Introduction
2 Detailed Knowledge of Territory: Exploration and Army
2.1 Necessities, Curiosity and Movement
2.2 Distinctive Signs (Technique and Language)
2.3 Social Advances
2.4 Techniques and Scope of Exploration
2.5 Curiosity and Genetics
2.6 Present Situation
2.7 Exploration and Army
3 Conclusions
References
Digital Reprocessing of Historical Cartography Through Historiographic Analysis of Sites
1 Introduction
2 Case Study
3 Methods
4 Results
5 Conclusions
References
Drawing as a Tool for Knowledge: Analysis of the Graphics for a Design Proposal for the E42 in Rome that Remained on Paper
1 Introduction
2 The Digital Drawings of the Original Project
3 The Rome Universal Exposition 1942
4 Pier Luigi Nervi for the l’E42
5 The Graphic Investigation
6 Conclusions
References
From Earthquake to Earthquake. Compositional Languages Analysis of L’Aquila Civil Architecture
1 Introduction
2 Research Objectives and Aims
3 Typology and Facade Schemes
4 Integrated Surveys
5 Conclusions
References
From Historical Representation to Spatial Data Infrastructure. Contextualisation of the Underground Heritage Spaces in the City of Carmona (Seville)
1 Background
2 Objective and Methodology
3 Signs of the Subterranean Elements Under Study in the Historical Graphic Representations of Carmona
4 Conclusions
References
From Survey to Graphical Analysis of the Monumental Entrance to the Verano Cemetery in Rome
1 Introduction
1.1 Brief Historical Considerations
1.2 The Monumental Entrance to the Verano Cemetery, Background and Goals of the Study
2 Discourse
2.1 Document Analysis
2.2 Survey Data Acquisition and Rendering, Metric Analysis
2.3 Graphical Analysis
2.4 Reflections on the Documentation and Current Conformation of the Work
3 Conclusions
References
Generative Modeling as an Alternative Analysis Tool for Cultural Heritage. The Case Study of Helicoidal Staircases
1 Introduction
2 Geometric Analysis of the Stairs
3 Algorithms
4 Conclusions
References
Geometric Assessment of Curvatures in Ribbed Vaults from TLS Point Clouds
1 Introduction
2 The Importance of Curvatures in Vaults
3 Methodology
3.1 Importing Point Cloud and Tracing Perimeter
3.2 Tracing the Planimetric Scheme and Sampling Points
3.3 Tracing Curves from Sampled Points
3.4 Composition of the Scheme
4 The Case Study: The Church of Santa Lucia in Cagliari
5 Conclusions
References
GIS-Based Design for Urban Heritage Routes
1 Introduction
2 Background: The COVID-19 Tourism Crisis
3 Goal and Approach
4 Presentation and Development of the Proposed Methodology
4.1 Advanced Spatial Analysis of Tourist Activity
4.2 Design of the Route System
5 Conclusions and Future Developments
References
Graphic Mapping of English Houses in Bogotá (1930–1950)
1 Introduction. The English Houses in Bogotá
2 The Mapping Strategy and Its Scales
2.1 Cartographies of Urban and Territorial Extension
2.2 Registration and Documentation of Areas and Neighborhoods
2.3 The Architectural Style and Formal Patterns
3 Conclusions. Graphical Mapping as an Analysis Tool
References
Graphic Representation of Architecture as a Support for the Parameterization of Habitable Spaces Within Heritage Contexts: The Convent of Santa Clara de la Columna in Belalcázar (Córdoba)
1 Introduction
2 The BIM Systems of Representation Within Heritage
3 Graphic Support as an Analytical Tool
4 Graphic Parameters of Coexistence Between Heritage and Habitat
5 Conclusions
References
Graphical Description of Twenty Chimneys Designed by Antoni Gaudí
1 Introduction
2 Graphic Procedures
2.1 Photogrammetric Reconstruction
2.2 Geometric Synthesis of the Model
3 Graphical Results
4 Conclusions
References
Hans Scharoun and the Organic Urbanism. The Proposal for Hauptstadt BerlinThrough Hugo Häring
1 Introduction
2 The Theory of Organhaften Bauens.Hugo Häring and the Idea of Geschenhensraum
3 The Proposal of Hans Scharoun and Wils Ebert for the Competition Hauptstadt Berlin
3.1 The Kollektivplan
3.2 The Proposal; Die grüne Haupt-und Weltstadt
References
Hybrid 2D/3D Models for Photo-Based Animations of Virtual Urban Scenes. The Plaza de la Virgenof Valencia, in the 1870s
1 Introduction
2 Research Aim
3 Procedure Improvements
3.1 3D Elements and Reconstruction of the Structure of the Scene
3.2 2D Scenic Elements. Analysis of Transformations in a Pinhole Camera System
3.3 Formation of the Virtual Scenario for Immersive Visualization
4 Results
5 Conclusions
References
Influence of the Camera Lens in the Photogrammetric Survey of Historic Plasterworks. Comparative Study in the Royal Alcazar of Seville.
1 Introduction
1.1 Photogrammetry for Heritage Conservation
1.2 Data Collection and Camera Lenses
1.3 The Plasterworks of the Royal Alcazar of Seville
1.4 Case-Study
2 Methodology
2.1 Materials
2.2 Methods
3 Results
4 Conclusions
References
Integrated Architectural Survey Techniques for the Cultural Heritage Preservation and Enhancement in the Covid-Era. The Case Study of Venosa’s Most Holy Trinity Complex, Italy
1 Introduction and State of Art
2 Case Study
3 Survey Techniques and Methodology
3.1 Data Acquisition
3.2 Data Processing
4 Survey Results and Virtual Tour During the COVID-19 Era
5 Conclusions
References
Knowledge Through the Survey: Comparative Analysis and Reconstruction of Time-Line of the Granja de San Ildefonso
1 Introduction
2 Historical Analysis of the Granja de San Ildefonso
3 Comparison and Digital Reconstruction of Historical Maps and State of the Art
4 Conclusions
References
Landscape Scenarios from the Lines-Strokes of Georgia O’Keeffe and Lina Bo Bardi
1 Introduction. Ways to Keep Your Eyes Open
2 Factories and Flowers. Objects
3 The Urban and the Rural. Territories
4 Conclusions. Landscape Scenarios
References
Landscape Views of Sierra de Oriche Drawn by the Italian Cartographic Unit During the Spanish Civil War
1 Introduction
2 Cartography in Times of War
3 Sierra de Oriche as a Context of Conflict
4 Drawn Landscape Views
5 Conclusions
References
Mario Labò and the Various Design Proposals for the Oriental Art Museum of Genoa
1 Introduction
2 Mario Labò’s Different Projects
2.1 The First Project
2.2 The Second Project
3 The Comparison Between the Projects
4 Conclusion
References
Methodological and Conceptual Phases for HBIM Modelling: The Case of the Monastery of San Millán de la Cogolla de Yuso (Spain)
1 Introduction
2 Related Research
3 Objectives
4 Methodology
5 Modelling Criteria
5.1 Massive
5.2 Spatial
5.3 Temporal and Functional
6 Results
7 Conclusions
References
Modelling from Ruins: Virtual Recreation of an Architectural Complex of the Spanish Civil War
1 Introduction
2 Documentary Investigation of the Architectural Ensemble
3 Digitization of the Current State of the Ruins
4 Modeling of the Ruins and Recreation of the Original Architectural Ensemble
5 Conclusions
References
Narrative Cartographies. Developing a Socio-spatial Method of Graphic Analysis to Investigate Emergent Occupation Practices in Depopulated Rural Settlements. A Study-Case from the Spanish Central Pyrenees
1 Introduction: Transforming Rural Territories and Emergent Occupation Practices in Depopulated Settlements
2 A Socio-spatial Methodology of Graphic Analysis: Developing the Narrative Cartographies of Re-occupied Places
2.1 Analysing the Territory
2.2 Analysing the Settlement
2.3 Analysing the Built Element
3 Conclusions
References
Past and Present in the Geometry of Dhaka Parliament by Louis Kahn
1 Introduction
2 Kahn’s Architectures and Their Possible Source of Inspiration
2.1 The National Assembly Building in Dhaka
2.2 Possible Sources for the Assembly Building
3 Geometrical Analysis
3.1 Dhaka Geometries Between Square and Octagon
3.2 Similar Shapes from the Past: The Case of Castel Del Monte
4 Conclusion
References
Planimetric Review and Analysis of Arches and Vaults of a Mudejar Architecture. Santa Tecla in Cervera de la Cañad1
1 Introduction and Background
2 Conducted Study
2.1 Capture with Digital Media
2.2 Comparison of the 3D Model Obtained with the Available Historical Documentation
2.3 Geometric Characterization of the Building
2.4 Geometric Analysis of Arches and Vaults
3 Conclusions
References
Proposal for a Digital Information Model to Manage the Archaeological Site of Itálica
1 Introduction
2 Background
3 Challenges Addressed
4 Work Method and Strategy
5 Conclusions
References
Representation of Oblique Circles in CAD Implemented in a Python Script for Rhinoceros
1 Introduction
2 Procedures for Orthographic Projection and Axonometry
2.1 Procedure with the ShearCommand
2.2 Procedures with the ConicCommand
3 A General Procedure Suitable for Linear Perspective
3.1 Aim
3.2 Input
3.3 Procedure with the ConicCommand and an Intermediate Point
3.4 Foundations of the Procedure
3.5 A Script Implementing the Procedure
3.6 Script Code
3.7 Script Explanation
References
Section Drawing as a Designing Tool
1 Introduction
2 Manual of Section
3 Little People Everywhere
4 Nowhere-Citizens
5 Conclusions
References
Study and Application of NURBS and Free-Form Surfaces for Design and Architecture
1 Introduction
2 (Discussion) Drawing of NURBS Curves and Surfaces
3 Conclusions
References
Telling the Invisible. Graphic Strategies for the Narration of the Roman necropolisof Porta Palio in Verona
1 Introduction
2 An Exhibition for the 30thAnniversary
3 The Sign for the Drawing, the Drawing for the Story
4 Modeling and Interaction: Towards a Digital Story
5 Conclusion
References
The Almina of Ceuta. Graphic Analysis of Its Historical Cartography
1 Introduction
2 Discussion
3 Conclusions
References
The Analysis of Inaccessible Religious Architecture: Graphic Documentation for the Knowledge and Use of Meteora Monasteries in Greece
1 Introduction
2 Territorial Analysis: Documentation, Classification and Accessibility Level of Meteora Monasteries
2.1 Analysis of Spatial Transformations and Comparative Schedules
3 Architectural Analysis: The Restoration Survey and the Geometric-Material Representation
3.1 Graphic Representation
4 The Restoration Project: The Addition for the Meteora Monasteries Accessibility
5 Conclusions
References
The Bust of the Emperor Hadrian. Documentation and Graphic Analysis of the Bust in the Archaeological Museum of Yecla
1 Introduction
2 Object of Study
3 Working Methodology
4 Conclusions and Future Directions
References
The Drawing of an Idea. Graphic Reconstruction of an Unbuilt Dwelling in Bayview by J. Utzon
1 Introduction
2 Initial Ideas About the Dwelling
3 Initial Sketches of the Dwelling
4 Second Version: Vertebra-Shaped Beam
5 Third Version: Fluctuating Box Beam
6 Fourth Version: Beam Box
7 Fifth Version: Independent Fluctuating Pavilions
8 Sixth Version: Independent Pavilions
9 Conclusions
References
The Golden Ratio as a Compositional and Structural Tool in Renaissance Artists. A Comparative Example
1 Introduction and Background
2 Discussion
3 The Golden Ratio in 2TB
4 Comparative Analysis
5 Conclusions
References
The Hermetic Staircases by Buontalenti for the Florentine Sant’Egidio and Santa Trinita Churches: Digital Analyses
1 Introduction
2 The Sant’Edigio Staircase
3 The RicettoStaircase in the Laurentian Library
4 The Santa Trinita Staircase
5 Conclusions
References
The Lighthouses: Real and Virtual Lines. Geometries and Coastal Maps
1 Introduction. The Concept of the Line for Analysis
2 Coastal Geometries
3 Coastlines
4 Conclusions
References
The Main Staircase of Palazzo Spinelli di Laurino in Naples. Function, Shape, Geometry
1 Introduction
1.1 The Staircase of Palazzo Spinelli di Laurino as a Representative Space of Architecture
2 The European Context of the Main Staircase and the Architectural Survey of Palazzo Spinelli di Laurino
3 Conclusions
References
The Mosque-Cathedral of Córdoba: Three Interior Perspectives by Laborde (1812)
1 Introduction
1.1 Historical Drawings from the Mosque-Cathedral of Córdoba
1.2 The Views by Laborde Published in 1812
2 Objectives and Graphic Method
3 Analysis of Laborde’s Interior Perspectives
3.1 Mihrab Nave View
3.2 View of the Columns Forest
3.3 Royal Chapel View
4 Conclusions
References
Town Planning Reforms Made in the Historical Town of Guadalajara in the Late 19th Century and Early 20th Century Analyzed Through the Cartography of the Spanish Geographic and Statistical Institute
1 Introduction
2 Urban Structure
2.1 Cartography by the Geographical and Statistical Institute
3 Transformation of Guadalajara’s Layout. Town Planning Reforms
3.1 Squares
3.2 Calle Mayor Baja
3.3 Calle de Santa Clara Street
3.4 Plaza de Moreno Square
4 Conclusions
References
Vertical Architectures in the Contemporary. Contemporary Bell Towers in Naples. Territorial Survey at Urban Scale and Case Study
1 Introduction
2 Contemporary Bell Towers ‘Signed by Well-Known Architects’
3 The Contemporary Bell Towers of the City of Naples
3.1 Case Study: The Bell Tower of the Church of the Sacro Cuore di Gesù
4 Conclusion
References
Visualization of the Local Distortions on the Oldest Known Urban Map of Seville (1771)
1 Introduction
1.1 The Map of Olavide
1.2 Research Aims
2 Materials and Methods
2.1 Reproduced Copy of the Map
2.2 Scale Check
2.3 Positional Accuracy Assessment
2.4 Compass-Rose Alignment
3 Results and Discussion
3.1 Theoretical vs. Real Scale
3.2 Positional Accuracy
3.3 Compass-Rose Alignment
4 Conclusions
References
VPL for HBIM: Algorithmic Generative Processes for the Thematic Mapping of Information Models
1 Introduction
2 Scan to H-BIM Approach. Methodological Workflow
3 Data Acquisition: Digital Survey and Diagnostic Mapping
4 From Painting to Image Sampling
5 Decay Mapping: Image Sampling and Clustering
6 H-BIM/VPL Interoperability: Decay Modelling
7 Conclusion and Future Works

A War Drawing for Visualizing Madrid’s Counter-Façade
1 Looking at the Opposite Side
2 Objectives and Method
3 Visualizing the Counter-Façade
3.1 The Drawing: Who, When and from Where?
3.2 Parallel References
3.3 A Snapshot of the City Outskirts Area and Its Architecture
4 Conclusions: A Graphic Testimony of a City in Transition
References
Convey a Graphical Message. The Political Vision of Architectural Drawing
1 Introduction
2 The Overlapping Cities. Drawing a Nomadic Urbanism
3 Urban Boundaries and Barriers
4 Graphic Actions for Sustainable Urbanism
5 Conclusions
References
Digital Models for Historical Architecture. Cestus Bridge and Fabrician Bridge at Tiber’s Island
1 Introduction and Background
2 Methodology
3 Graphic Analysis Through Diachronic Models
4 The Cestus Bridge
5 The Tiber’s Island Area
6 Conclusion
References
Digital Tools as a Means of Architectural Dissemination. Reconstructing the Architectural History of Colegio San José of Valencia
1 Introduction
2 Method
2.1 Information Gathering
2.2 Interpretation of the Historical Phases
2.3 Delineation of Historical Plans
2.4 Perspective Restitution of Historical Photographs
2.5 3D Modeling of Every Historical Phase
3 Dissemination Strategies
4 Conclusions
References
Dreams of Ruins: Drawing as a Speculative Resource During the Renaissance for Understanding the Architectural Remains of Antiquity
1 Introduction: Background and Development of Representations of Ruins
2 The Renaissance and Early Approaches to the Past Remains
3 Raphael and the Capacity of Ruins for Analogy
4 The Interpretative Current in Renaissance Architectural Drawing
5 Conclusions
References
Expression, Exploration, and Intuition in Nadir Afonso’s Cities
1 Introduction
2 Discussion
2.1 Expression
2.2 Exploration
2.3 Intuition
3 Conclusions
References
Framing, Filling, Linking. The Drawing of Elements for City Description
1 FramingFigurative Content and Images of Cities
2 FillingMap Construction for Elements and Shapes
3 LinkingNo-Stop-Elements. Dynamics of Representation of the City
References
From Historical and Theoretical Analysis of Representation and Geometry to Topology for Structural Optimization
1 Introduction
2 Historical/Theoretical Investigation of Geometry to “Scientificize” the Representation Systems
3 Topology: Properties of Shapes/Relations of Things
4 Searching for Optimum Design
References
From Image to Investigation 3D Reconstruction with Perspective Restitution
1 Introduction
1.1 3D Reconstruction from Photos
1.2 Related Papers
2 The Case Study
3 Proposed Methodology
3.1 Survey
3.2 Perspective Restitution
4 Conclusion
References
From the “Sacred Theatres” of Andrea Pozzo to the International Truncated Calotte: History and Representation of the Immacolatella Church’s Tribune in Trapani (1732)
1 Introduction
2 The Project: Combinations of Experiences, Sources, and Research
3 Survey and Analysis
References
Geometric and Formal Characterization of the Church of Santa María de Tobed
1 Introduction
2 Methodology and Results
3 Conclusions
References
Geometry and Rectangular Ratios: Serlio’sVillas in the Vienna Manuscript and Book VII
1 Introduction
2 Book VII in the Treatise Plan and the Vienna Manuscript
3 Drawing’s Techniques and Graphic Standards in the Vienna Manuscript and Book VII
4 Analysis of Villa Plans in the Vienna Manuscript and Book VII: Methodological Framework
5 Case Studies: Comparative Interpretation
6 Conclusion
References
Girard Desargues and Geometry Applied to the Arts
1 Introduction
2 Applied Arts in Desagues’ Work
3 About Perspective
4 About Stereotomy
5 About Gnomonics
6 Conclusions
References
Gregorian Echoes: Neumatic Notation as a Possible Graphic Inspiration for the Architecture of Xenakis
1 Introduction
2 State of the Art
3 Deciphering the Principles of Neumatic Notation to Decode a Graphic Transfer
4 Graphic Documents for a Conceptual Transfer
5 An Elevation as a Trace of Habits
6 Conclusions
References
History, Iconography and Digital Drawing for Architectural Heritage: The Case Study of the Church of S. Nicolò Alla Kalsa in Palermo (Sicily)
1 Reconstructing the History of a Disappeared Monument, Between Clues and Riddles
1.1 Introduction
1.2 Notes on the History of the Church of S. Nicolò Alla Kalsa and Its Configuration
2 The Iconographic Sources Analysis
3 The 3D Model: A Tool for Verification and Graphic Restitution
4 Conclusions
References
Immersion in Virtual Reality for Studying Architectural Perspectives
1 Introduction
2 The Architectural Perspective-Viewer Relationship
3 Architectural and Geometric Interpretations of a Quadratura
4 Virtual Reality Experimentation with Restricted Points of View
5 Conclusion
References
“Veue de la ville de Boze”. A Seventeenth-Century View to Analyse the Transformations of the Landscape of the City of Bosa (Sardinia, Italy)
1 Reading and Representing the Transformations of the Landscape of Sardinia
2 The “Veue de la ville de Boze”
3 Analysis of the Map
4 Conclusions
References
Light and Architecture: Mannerist Devices in the Monastery of San Lorenzo de El Escorial
1 Introduction
1.1 State of the Art
2 Hypotheses and Objectives
3 Methodology
4 Main Findings
5 Conclusions
References
Line Atop Line. Images of Architecture in Illustrated Periodicals from the Early 1800s in Italy
1 Introduction
2 The Magazzino Pittorico Universale
3 Architecture in the Second Italian Periodical
4 Other New Illustrations
5 Conclusions
References
Madrid and the Board of Houses of the Navy. Four Projects for Spain in the 1940s
1 Introduction and Methodology Applied to the Research
2 The Architects. José Fonseca y Llanedo, Manuel Ruiz de la Prada, José Gómez Mesa and José María Rodríguez Cano
3 The Board of Houses of the Navy
4 The Promotions of the Board in the Salamanca District
4.1 Don Ramón De La CruzStreet
4.2 Eduardo AunósStreet
4.3 Marqués de MondéjarStreet
4.4 Cartagena, Francisco SilvelaStreets and Los TorerosAvenue
5 Conclusions
References
Military Engineers and the Use of Cartography in the Urban Representation of the Spanish Florida. The City of Saint Augustine (1565–1788)
1 Summary
2 The Cartographies of the First Spanish Colonial Period (1565–1763): The Early Cartographies
3 The Spanish Cartographies that Outlined the Transfer Process to Sovereignty 1763
4 The Cartography of the Period of British Sovereignty 1763–1783
5 Cartographies of the Second Spanish Colonial Period 1783–1821
6 Conclusions
References
Musing on the Restoration of the Arch of Titus, Given Its 200thAnniversary: Comments on Some Outstanding Drawings
1 Background and Method
2 The Ruin, Between Vedutism and Formal Survey
3 Isolation and Reconstruction
4 A Critical—and “didactic”—Graphic Experiment
5 Conclusions
References
On the Drawings and Travel Notebooks of Guillermo Vázquez Consuegra
1 Introduction and Context
2 Theoretical Framework of the Research and Justification of the Scientific Contribution
3 Travel Drawings as a Record of Learned Complexity and Diversity
4 Drawing, Project, Idea, and Reality in Vázquez Consuegra’s Production
5 Conclusions
References
Recovery of Modern Colombian Architecture by Means of Architectural Archive Discovery: The Case of Architect Miguel Farah Zakzuk
1 Introduction
2 Discussion
2.1 Architecture Archives
2.2 Modernism in Latin America and Colombia
2.3 Modern Architecture in the Colombian Caribbean Region
2.4 Architect Miguel Farah Zakzuk
3 Material and Methods
4 Conclusion
References
Recycling Models and Drawings: Two Projects by Frank Lloyd Wright, 1944
1 The Pergola House
2 The Glass House
3 Conclusions
References
Speer: Drawing the Future of the Past
1 Introduction
2 A Fascination with Ruins
3 The Graphical Representation of Ruins
4 The Real Ruins of Horror
5 Speer and the Modern Movement
6 Conclusions
References
The Analysis of Architectural Heritage Through Graphic Documents: The Archaeological Site of Italica (Seville, Spain) – From the 16th to the 21st Century
1 Introduction
2 Reconstruction of the Graphic Heritage of Itálica
2.1 Selection of Documents to Obtain a Representative Sample
2.2 Data Included for Analysis
3 Results
4 Conclusion
References
The Design of the Renaissance Cloister of the Cathedral of Zamora
References
The Evolution of the Castle of Peracense. An Example of Sequential Development of Southern Europe Strongholds
1 Introduction
2 Methodology of the Research
3 Historical and Geographical Analysis. The Origin of the Castle of Peracense
4 The Time of the Albarracin Estate
5 The Time of the Kingdom of Aragon
5.1 The Inner Precinct
5.2 Intermediate and Outer Precinct
6 The Carlist Wars and the Restoration of the Twentieth Century
7 The Restorations of the Twenty-First Century
8 Conclusions
References
The Fragmentation of Perspective in the Evolution from Architectural to Landscape Garden
1 Introduction
2 Research Focus
3 The Royal Park of Versailles
4 The Fragmentation of Perspective
5 Conclusions
References
The Graphic Analysis of the Primitive Convent of the Commendatory Mothers of St. John in Zamora
1 Introduction
2 The Arrival of the Orden in the City of Zamora
3 The Construction of a Convent in Zamora
4 Its Battered Life and Its Closure
5 Preserved Graphic Testimonies
6 Conclusions
References
The Plan Traces of Some Valencian Starred Cross Vaults
1 Introduction
2 The Plan Traces of Starred Cross Vaults
2.1 The Importance of Geometry
2.2 The Starred Vault of La Lonja de ValenciaChapel
2.3 The Starred Vault of the Chapterhouse in the Monastery of Santa María de la Valldigna(Valencia, Spain)
2.4 Other Starred Vaults that have been Studied
3 Conclusions
References
The Slab of Perugia: Graphic Virtualization for the Enhancement of Cultural Heritage
1 Introduction
2 State of the Art and First Critical Deductions
2.1 Analysis of Measurements
2.2 Distribution and Functionality of the Environments
3 Reconstruction Hypothesis Theoretical Problem
3.1 The Contents of the Model: Guiding Criteria
4 Informative Modelling of the Monumental Complex
5 Results Achieved and in Progress
References
Production
Anni Albers: Graphic Processes and Creative Thinking
1 Introduction
2 Artistic Production and Creative Thinking
2.1 Bauhaus Teaching: Creative Processes in Textile Production
2.2 Graphic Production: From Douat Permutations to Lattices
2.3 Textile and Graphic Design: Conception and Perception
3 Conclusions
References
Architectural Graphic Cognition Processes in Sheltered Housing Spaces for People with Intellectual Disabilities
1 Introduction
1.1 Society and Perception
1.2 Architectural Cognition Strategies
2 Sheltered Homes
2.1 Specific Tests
2.2 Trial 1. Graphic Process Sheltered Housing “Las Fuentes”
2.3 Trial 2. Graphic Process Sheltered Housing “CEDES”
3 Results (Actual Resulting Images)
3.1 Las Fuentes
3.2 CEDES
3.3 Users
4 Conclusions
References
Digital Adaptation of the »Hypercubic Glass«: Translation of the Design Principles by Student Seminars
1 Introduction
2 The Emergence of the Hypercubic Glass as a Synthesis of Art and Architecture in Spain During the 1960s
2.1 The Architect
2.2 The Influence of Salvador Dalí
3 The Process of Reinterpretation
3.1 Theoretical Basics of the Hypercubic Glass
3.2 Working Model I
4 Structural Analysis and Dimensioning of the Design
4.1 Basic Information
4.2 Structural and Geometrical Analysis of the Substructure
4.3 Structural and Geometrical Analysis of the Nodes
5 Working Model II
6 Summary and Outlook
References
From Geospatial Data to HBIM of Romanic Churches in Sardinia: Modelling, Check and Validation
1 Introduction
2 State of Art
3 From Geospatial Data to HBIM Model
3.1 Survey and Early Data Processing
3.2 Modelling, Check and Validation Process
4 H-BIM of Romanesque Churches in Sardinia
5 Conclusion
References
Graphic Innovation in Jesuit Heritage of Córdoba de la Nueva Andalucía. From Tradition to CAD, HBIM & AR
1 Introduction and Background
2 Objectives and Hypothesis
3 Research Context and Methodology
4 Heritage Research and Graphic Technologies
5 Discussion and Results
6 Conclusions
References
How the Approach of Digital Tools in Architecture Has Developed: The Case of Creative Programming
1 Background: From the Whyto the How
1.1 Theoretical Grounds and Basic Technical Development: 1955–1965
1.2 Man-Machine in Conversation
1.3 The Discourse Mutates
1.4 Does Form Follow Software?
2 Turning Point
2.1 From the 2008 Crisis to the Present Day
2.2 Incubation of the Open-Source Community
3 Creative Programming Language as Open-Source Tools
3.1 Processing: A Creative Programming Language
3.2 What it’s All About and What it Teaches
3.3 Current Teaching Experiments
4 Conclusions: Empowerment Alternatives to Flee the Swarm
References
Management and Dissemination for Dismissed Religious Architecture. An Approach Fusing HBIM and Gamification
1 Introduction
2 Methodological and Operational Notes for Augmented Fruition
3 Gaming-HBIM Multi-scalar Model for Knowledge, Management and Virtual Fruition
4 Conclusions and Future Developments
References
Spatial Perception Assessment in Immersive Virtual Environments. A Methodological Approach
1 Introduction
2 Background
3 Methodological Proposal
4 Conclusions
References
Vegetation Information Modeling (VIM). The Tree as the Main Element in the Construction Process of Landscape Architecture
1 Introduction
2 Vegetation as a Construction Element
3 The Need for a Constructive Language of Vegetation
3.1 The Language of Vegetation in Representation
4 Information Modeling for Landscape
4.1 VIM (Vegetation Information Modeling)
5 Phases of Integration Information in a VIM Project
6 Conclusion